Gay Icons

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Ralph Ueltzhoffer Text Portrait

Ralph Ueltzhoffer Text Portrait

EVERYBODY DOES IT // In the wake of Michael Jackson’s death there’s been an abundance of specials, marathons, and shows devoted to his musical career. In watching these it is clear that though his immense talent is undeniable it is absurd that anyone ever believed he was straight. With a voice that rivals Minnie Mouse and dance moves more astonishingly fluid than a Cirque de Soleil performance on acid, how he ever elicited hordes, nay entire populations, of screaming female fans seems almost unfathomable. Riddled with accusations of child molestation, absurd marriages to rock n’ roll royalty, and surrogate children of suspicious background, his personal life made little case for heterosexuality. But yet to the bitter end the King of Pop never came out as a queen.

It’s not uncommon for popular musicians and actors of dubious sexuality to be adored by female fans. Of just the ones to be confirmed you need to only look at Clay Aiken, Lance Bass, Ricky Martin (well soon to be confirmed), Jordan Knight, Rock Hudson, and Neal Patrick Harris, just to name a few. Though they range from the ridiculously obvious to the bit more surprising, they all at least at one time had a legion of followers that would vehemently defend their sexuality. As I once argued with my best friend during a heated debate over Anderson Cooper, does this insistence that they are straight reinforce homophobia and the heteronormative assumptions it fosters, or are we merely reluctant to label someone’s private preference?

As gay men we get a lot of flack for telling our straight (girl)friends that certain celebrities are gay. They assume we want all of the hot guys to be on our team, leaving them with the chubby sidekicks. Though I find this reaction to be understandable, I think it plays perfectly into the homophobia perpetuated by the mainstream media. Though it kills me to say it, if blogs like Perez Hilton or Gawker hadn’t come along, the media would still be so frightened by litigation they would continue to avoid raising the question of someone’s sexuality, a task that had only been left to the disreputable tabloids.

Many will argue that stars are entitled to their privacy and should not be coerced to come out, and I agree. But I also think that their silence only serves to hold us back, rather than move us forward. Online we can speculate about stars, anonymous commenters indiscreetly share their stories, and as a community we at least confirm amongst ourselves whom is one of us. The power of the Internet to answer these questions is largely responsible for the strides we have made in the last decade.

beaaOver the weekend Bea Arthur went off to the big Miami condo in the sky. The second Golden Girls character to pass away, after Estelle Getty, who played her mother, died just nine months ago. Since that time, the series seems to have become ubiquitous; every channel devoted to programming for women (and gay men) has been running reruns around the clock. But now that Arthur has followed her fictional mother to the pearly gates will the loss of the much taller, more butch, and sarcastic cast member be as deeply felt? Despite the lesbian jokes that plagued her at many a Friar’s Club Roast over the years what will Arthur’s legacy be among “the gays?”

Though it seems to defy reason that a show about four post-menopausal women has captivated queers for decades, the perfect blend of comediennes never failed to make us laugh. And though some may be unwilling to admit it, Dorothy was few fags’ favorite. Her masculine posture, deplorable wardrobe, and generally sour demeanor, though comical in juxtaposition to sunny Rose and ebullient Blanche, made her that ‘negative Nancy’ friend we all put up with despite their disagreeable nature, because they’re always there for you and occasionally really put someone in their place.

But is this role enough to induct Arthur into the Gay Hall of Fame of Divas that have gone before us?