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Photo: Gerry Visco

Because the world would never know how colorful New York City is without him, the Village Voice celebrated Michael Musto’s 25th anniversary as a columnist Wednesday night at 230 Fifth, a nightclub on the top floor of the eponymous building at 27th St. Hosted by Michael Urie and Joan Rivers, it was the kind of event that movies trying to capture the downtown New York scene can only hope to approximate.

Sipping champagne and eating salmon cakes and sliders were countless media guys in preppy suits, club-kid types decked out in severe and colorful makeup, feathers, corsets, (very) high heels. Ladyfag, the club scenster and female drag queen, pranced around screaming in a black, West African-style turban and with her arm erect, supporting a long black clutch and revealing her ample armpit hair. Circling the room were legendary drag queens Linda Simpson, Sherry Vine and Bianca del Rio—the latter, who has the sharpest tongue in New York, boasted a bright green sequined jacket with enough shoulder padding for birds of prey to land on.

Murray Hill, the drag king and comedian introduced Mr. Musto, 54, by describing the awkward and bumbling columnist pushing through the crowd, unable to let go of his ubiquitous leather bag, even at his own party, as though it were glued to his shoulder.

“Whoever you are, you’ve totally wronged his show,” said Joan Rivers, interrupting Mr. Hill. “Just shut the fuck up and we’ll take it from here.”

Ms. Rivers, flanked by two tall security guards, showered Mr. Musto with praise, calling him the one person who epitomizes the edgy, funny and survivalist character of “real New Yorkers.”

As soon as she said her bit her security cleared a path off the stage, where Ms. Rivers stopped next to me and gestured to my date for the evening, the fire-engine redheaded drag queen Erickatoure Aviance (wearing a sequined black tube top, two poofy skirts and “legs for days”).

“Gorgeous,” she said to Ms. Aviance,  “and you’re very lucky” she said, clutching the my arm briefly.

“You are 550 of my closest friends and you have never abandoned me!” Michael yelled into the microphone, looking jubilant and overheated in his dapper checked gray suit and pink shirt. “although some of you did push me out of the way to get photos taken tonight.”

One of Mr. Musto’s closest friends is Lynn Yaeger, the former Voice fashion reporter who always wears cupid’s bow lipstick and a short red bob. “He’s the most loyal of friends,” she said of him.

Mr. Hill, who has performed his witty and biting standup routine since 1990, got his first press from Musto, “and my career has gone nowhere since,” he quipped, before introducing the burlesque dancer Dirty Martini, who performed to a Sarah Vaughan recording of “My Kinda Love,” revealing her (very) ample behind and a red tasseled pasties from beneath her bustier of pink roses (to match the pink perm on her head).


“Joan Rivers told me to shut the fuck up, I can retire now!” said Mr. Hill, grinning. “I met Michael at a club called Life—it was a Jameson party and I had this allergic reaction and got all blotchy. Then someone took a picture with me and Michael, and I still have it. He was wearing the ugliest sweater! He still wears ‘em, this is the best dressed I’ve ever seen him.”

Next to perform was singer Bridget Everett, a voluptuous blonde who stripped down to a diaper to a Mylie Cyrus track, only to yell at a skinny gay youth wearing a ribbon on one shoulder who looked at his phone while she sang. “You fucking jerk, you’re texting during my fucking performance! Jeez!” she yelled, extremities jiggling.

Hiding from the swarm of club kid freaks spanning generations was Anna Musto, Michael’s 90-year-old mother—she was featured with her son in the New York Times style section last May.

“Those pictures were so ugly!” she said of the feature.

I asked when she thought her son would turn out to be a big star.

“I never thought he’d be one!” she said, laughing. “It hadn’t crossed my mind!”

A recently common presence in the New York club scene is promoter and Bungalow 8 graduate Malik So Chic. A young bald-headed type wearing black Prada shoes and a Hugo Boss jacket, Malik is most easily identified by his enormous (and lens-less) black frames bought on the cheap—lately he’s been filming as a cast member in the upcoming Tinsley Mortimer reality show.

“The afterparty for Michael is at Bonbon,” he informed me, “and I’m also throwing a little private thing for Tinsley there.” He promised the show will be full of drama: “I broke up a few fights,” he said.

Later on over at Bonbon, a Suzanne Barstch and Kenny Kenny party at Juliet, (the new West Chelsea supper club that looks like the inside of a mirror ball), the I finally had the chance to have a few words with Mr. Musto (although before, at the first party I told him that I spoke to his mother and he said “Oh no!” and crossed himself).

Musto, who is shy and nervous in person, clutched the edge of a velvet curtain as we spoke, slightly grinning as his mind played back 25 years of documenting New York’s underground. You can check out our conversation here.  More photos by Gerry Fisco here.

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As one of our HN editor’s is a former Yalie (meaning he went to Yale, not the other two definitions), it was brought to my attention that female-to-male (FTM) transsexual porn star Buck Angel was a guest speaker there recently at the annual Sex Week at Yale, also known as… wait for it…  SWAY.

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LET’S BE REAL: RuPaul has taken over New York City. Her p*ssy-perfect picture is plastered on subway ads, the sides of buses and every other LOGO commercial from here to next Sunday. Last week was (after mad anticipation from homos across North America) the first episode of season two of “RuPaul’s Drag Race.” (We’ll get to that too honey, I promise.) But in a perfectly-timed media storm, this week also saw the release of Ru’s new book: “Workin’ It!: RuPaul’s Guide to Life, Liberty, and the Pursuit of Style”.

For anyone that wants to curl up with the soothing love of RuPaul’s voice before falling into slumber, this guide to living fabulously is like a pink fluffy hand-warmer that you put in your socks before skiing. Full of cheerful advice and hilarious anecdotes, it really does feel like the spice of her personality was caught and put into this 172-page coffee table liner, complete with flawless photos and bullet lists of How-To’s. Werk.

Shame On You, McCain

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The front page of Wednesday’s Times speaks of the most up-to-date struggles on the DODT hearings, in which top military officials, including Admiral Mike Mullen, support the inclusion of LGBT soldiers into legal and unfettered members of the Armed forces.

Unfortunately, on the defensive against changing policy was non other than Senator John McCain, the guy who failed to become president but helped elevate a witless moron to the position of America’s Most Powerful Idiot, and by this I mean Sarah Palin. But enough about Palin.

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Not long ago the Observer published a story about the migration of downtown, Meatpacking-type parties to Midtown hotels—but the “Happening” on Wednesdays at the Hudson Hotel is what takes place when the East Village tries it out. Hats off to the Hudson for trying to attract (or scare away?) their fancy guests by hiring DJ Ryan McKnight and a host of downtown freaks to give them an authentic New York experience—and they probably didn’t know what they were getting!

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Legendary drag artist Kevin Aviance’s latest music video is a cover of a song we know all too well: “Gimme More” by Brittney Spears.

The idea for Kevin’s cover  began as a joke on the weekly podcast, of comedian and dirty party boy Jonny McGovern. He was so taken by the song (which came out during the height of Spears’ crazy period) that he wanted his idol (Kevin) to make a cover. The lyrics, McGovern claims, described what it feels like to watch Kevin perform at a nightclub after 4 a.m., provoking cheers from tipsy crowds of adoring queers. Amazingly Aviance agreed, and a year after many have forgotten the song, it was released. And it’s pretty amazing because it’s a very simple video with a the raw performance that is “so Aviance”: Kevin’s crazy outfits and a face performance that is altogether scary, weird yet so very compelling.

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There’s nothing that warms my heart more than when straight boys don glitter and eye makeup in the name of rock music. A mixed party is the best kind of party, and that’s exactly what it was like at Bowie Ball 2009, hosted by Le Poisson Rouge and the red-wigged and fabulous Deryck Todd (whose adoring parents were selling T-shirts in the front bar).

It seemed like everyone dressed as something—sparkly magenta eyeshadow, one-legged leotards, feathers, the list goes on. For those folks who didn’t have the time or energy, there was an elevated stage where numerous makeup and hair artistes molded eager hip kids into glam rock gods, goddesses, and every demi-god in between.

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Day Glo is back, honey!

Once upon a time, New York was full of downtown-style “avant-garde” performance art. It was usually at clubs or divey East Village spots. The idea was that you didn’t know exactly what you were seeing, or why, but it provoked some kind of emotion in you. While the best kind of performance doesn’t require it, being on mind-altering drugs probably helped.

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But enSubtitles, a performance group consisting of club kids (and drag artists) One-hAlf NeLson, Erickatoure Aviance and Clifton Brown (sometimes known as the beautiful Nanya Bidness) fills a gap in visual performance left by the death of New York’s clubland of yesteryear (and yes, I admit to all, these guys are my friends. It’s Thanksgiving, a break please!).

Conceived after a huge response after an avant garde drag performance at a Grace Jones drag tribute at the Cock last November—Erickatoure and Nelson inhabited one voluminous costume with a bald-capped head—the aesthetic of enSubtitles (think, En Vogue, but not) is pretty much lots of Day-glo and scary-looking.

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Photos: SMHayhurst

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On Sunday evening a crowd of approximately 150 people gathered at Pier 45 to mourn the death of Jorge Steven Mercado, a 19-year-old gay Puerto Rican teen who was brutally murdered, dismembered and partially burned on the evening of November 13.

One of 20 such vigils held across the country, many attendants were of Puerto Rican descent, holding up posters and fliers professing solidarity and sporting images of the Boricua flag. Speakers included organizers Scott Anthony Evans, Ronnie KroellKarlo C. and Stephanie Jones, New York City Council Speaker Christine Quinn, Councilwoman Melissa Mark-Viverito, Councilman-elect Danny Domm, GLAAD President Jarrett Barrios, poet Emanuel Xavier, and designer Malan Breton,

The mood was emotional—many people were crying as the speakers professed their disappointment and feelings of loss. The brutal nature of the killing and the insensitive reaction on Puerto Rican television by police investigator Ángel Rodríguez Colón, who said (as translated into English), “These types of people, when they enter this lifestyle and go out into the streets know that this could happen.”

The details of the crime are slim: accused killer Martinez Matos picked up Mercado, who was dressed in drag, in the town of Caguas and drove him to the nearby of Cidra. Upon discovering Mercado was a man, he flew into a rage, killing and decapitating Mercado before burning his dismembered body.

“You have to remember, Jorge is our son, he is our child,” Barrios told the crowd on Sunday. Others nodded or spoke in agreement, “That’s right.”

Although Puerto Rico is no stranger to gay male lifestyle, statements like Colón’s demonstrate that attitudes that remain in Caribbean and Latino cultures towards masculinity and the archaic gender dichotomy many people subscribe to. The statement was offensive because it blames the victim, suggesting that violating the gender boundaries is an invitation to violence.

The vigil, which was followed by a memorial service at St. Luke in the Fields in Greenwich village, was as much a protest against violence and gender hegemony as a memorial for the all-too-young Mercado—taken from his adoring mother because he chose to express the difference he felt within him.

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Before Tuesday night, I had only dared to dream about attending a New York City underground ball.

But at the Lower East Side burlesque hall and trendy lounge the Box, I lived out my fantasy. And oh, was it beyond amazing. Fingers were wagging, screams of work bitch! filled my ears. There were shows, there was drama and real life danger. And most of all, there were looks, honey.

Derived from the celebrated “Paris is Burning” (a viewing of this 1990 documentary is obligatory for understanding the magnitude of this event) the apt-named “New York is Burning,” was hosted by the House of Xtravaganza, one of the most popular and collectively talented groups on the ball circuit. It was, most simply, a high-fashion, do-it-yourself runway competition where scores of folks dressed in ways that purposefully defy written description. To use the vernacular of this queendom, before you say anything, you would want to get into the look.

INTERVIEW | Last night the New York International Film Festival screened “Charmed Life”, a documentary by Kat Delaney about Drag (yes honey, with a capital D), at Cinema Village yesterday.

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Centered on the life of Sweetie, a staple warm-hearted mother-figure in the drag community, the film shows the dark and light side of this lifestyle that seeks to entertain, transcend gender and ultimately be a living and breathing sculpture.

The film contains interviews and clips of a whole slew of now-legendary drag and gender-bending performers—Mother Flawless Sabrina, Lavinia Co-Op, Sherry Vine, Linda Simpson, Flotilla De Barge, The Mistress Formika, Gusty Winds, Rose Royalle—and discusses both the glamour and the melancholy of drag life.

Sweetie, who calls herself a “Big Titted Honky Soul Momma,” has been on the scene for years is famous for her perfect lipsync (she’s won best in New York for the past decade), and is a successful and established actor both in and out of drag. She spoke to HN about the making of the film and its importance.

How did this film get started?
It was made four years ago and was first shown three weeks ago at the Atlanta Film Festival, with a great response. And it’s all steamrolling at once, the NY International Film Festival picked it up and we’ve had some interest from TLA video and LOGO.

At the time I was doing this party with Daniel Nardicio called High Life Low Life, it coincided with this filmmaker approaching me about doing a doc about New York drag. They kind of went hand and hand so well. The film circles my life as  Sweetie  but touches with the people I was working with and employing at the time, doing big drag shows every Saturday night.

What is it that makes “Charmed Life” unique from other dragumentaries, or old Wigstock viewings
It shows the incredible, incredible human beings underneath the beautiful painted faces . It’s very candid: there are moments of big bombastic explosion, but the mood is much different than that, it’s very confessional.

There’s three generations, and people like Rose Royalle, who has been a staple on the scene since Jackie 60 and was the original waitress for VIP room.  I believe she’s 68 years old now. I used her for all of my parties- – does she move to quick? No! Does she get every drink order right? No! But does she dress up a room? Absolutely! She goes back to the Warhol factory days — she was so viable — pretty major in her own right in her youth—kind of the old guard.

Or there’s Charity—people don’t know her unless you’ve been to Fire Island, she’s been staple there since the late 50s. The year that Flawless hosted Ms. Fire Island pageant was the year that Charity won!

Also you’ve got more genderfuck, androgenous people like Jimmy James or T-Boy—stilettos, panties and garters, but not tits or wigs. There was  a lot of those hard, old school queens who were affronted to their being a part of a drag documentary.

MAKING NOISE | Attending the Equality March in Washington D.C. this weekend was an exercising the First Amendment right of gays to get loud. H-N made it to the march, the rally, and even the after-party.

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As the media has reported, the marchers at the parade were overwhelmingly young—perhaps averaging 22-23 years old. For many older marchers, this young representation was heartwarming.

However, by contrast, the marchers were also overwhelmingly white. While there were other races represented, in a city as non-white as D.C. there was not balanced ratio of different colors.

There was a lot of good moods, smiles, and barely any angry folks. While many people led cheers (some of the memorable ones include “Hey Obama, Yes We Can!” as people marched passed the White House, and the call and response “Tell me what democracy looks like! This is what democracy looks like!”), just as many people didn’t yell at all. Walking past the White House, I had to ask (in the loudest voice possible), why “nobody was making any noise! Why would you come if you aren’t going to use your voice!”

People laughed, but I wasn’t joking!

A new “funny video” was recently posted on the Onion’s website, (a satirical news “network” for those of us queens who only read Vogue and Interview). The fake news report showcases a new anti-smoking ad campaign which attempts to convince America’s youth not to light up because “Smoking is gay.”

Personally (and we suggest reading this AFTER watching the video), the concept and execution is hilarious—satire is supposed to be provocative and these videos mix all sorts of funny ideas in America’s psyche at the moment. However I couldn’t help feeling a twinge of discomfort when the spokesman showed a commercial that states “Don’t be a faggot. Don’t Smoke.

Before copy-pasting the standard “you’re too sensitive, faggy-pants!” into the comment box, it is recommended that folks watch the video first, and then discuss.

But at that point I come to an impasse and must ask myself, what is my relationship to the f-word in this scenario that makes me feel a bit mal à l’aise? I say faggot all the time—here at HN one of our contributors is duly named “faggoting.” (Though, to be fair, “faggoting, or fagoting, is a legit sewing technique.)

I call myself a fag, as well as my friends, their actions, clothing, and sports abilities can all be “faggotty.” The use of this word in a media-type situation is usually fine with me— but I realize, only as long as the user is obviously a queer.

flawless14It’s not every day that a drag queen reveals her age. But for a legend like Mother Flawless Sabrina, celebrating a drag career that spans over 50 years is nothing to shake your wig at.

On September 13, Flawless held her 70th birthday party at Sugarland, where fans, friends, and protégé gathered to hail this queen and her lifetime of remarkable achievement. Her latest achievement was walking around the club greeting guests, as she was still recovering from a recent hip injury.

But regrowing hip muscles is not Flawless Sabrina’s claim to fame. She is the star of the 1968 documentary, The Queen, about a 1967 drag contest and pageant held in New York City. This was just one installment a touring drag contest and pageant Flawless started in 1959. The documentary also features Andy Warhol and the talents (and temper) of one Crystal Labeija, founder of the legendary drag house that is her namesake.

“WE EAT OUR OWN,” said writer Robert Smith, at the first installment of his new queer reading series, Brother, My Lover at the Hose.

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Photo: Joseph Alexiou

“The name ‘Brother, My Lover’,” Smith explained later, “is to promote love and mutual respect in this community.”

The gay cannibalism Smith referred to was our tendency towards extensive cruelty to our fellow feys, dykes, and trannies. Smith wanted to create a communal project where everyone is  “welcome and as loved as I have always wanted and expect from the queer community,”—big surprise, he hasn’t found it yet in NYC.

The “PRO SEX, PRO BODY, PRO WEIRDO, PRO NON-WEIRDO PRO whatever U R, and having people SHUT THE FUCK UP and listen to what it is you got to say,” gathering recalled the Reading for Filth, a dirty queer reading series founded by the late Dean Johnson in the now-defunct Rapture Cafe.

Glenn Marla, one of Wednesday night’s readers, agreed.

“They have same kind of energy,” said writer and performance artist Glenn Marla, referring to Reading for Filth. Brother, My Lover, while not necessarily sex-oriented, encourages participants to “just be.”

Marla’s reading, delivered in his signature bubbly style, discussed his feelings on fertilization (at one point calling it the “world’s deepest fuck”) and how the idea of impregnating his girlfriend, although physically impossible, gets him off.

Spotted in the audience were several scene players, including a bespectacled Justin Bond (the performer, whose recent Sunday show at Joe’s Pub was very well received, politely declined a photograph), Earl Dax, and VGL boy Cole Escola (of LOGO’s Jeffery and Cole Casserole).

DRAGSCRIMINATION // Last week the Advocate released a story about a New York City drag queen who was poorly treated at a taping of the Wendy Williams Show.

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According to the article, the controversy arose when Erickatoure Aviance was informed that she could not sit in the audience due to show’s “no costume” policy. While she was eventually allowed in, she was told not to ask “Hot Topic” questions and placed in the periphery of the audience behind a tall man.

The minor gay blogosphere uproar that followed brought many questions, accusations and general shadiness to the table about Wendy Williams, but also the intentions of Ms. Aviance.

Being very familiar with this very interesting queen (FULL DISCLOSURE: we are good friends), the timing of this incident is practically serendipitous (more on that later) and opens up a dialogue on gender politics, a hot topic at the moment.

But first I think some background is warranted.

A gay man who grew up in Portsmouth, NH, Ericka came to New York in 1999 to study ballet and modern dance at the prestigious Tisch school at NYU. Entranced by NYC’s legendary nightlife scene, she “wanted to be one of the pretty people, the glitterati who don’t wait on line or pay for drinks,” as I learned in a previous interview. She went on to work at places like Tunnel, Twilo and Exit while they still existed.

But it was her love for fashion and personal expression (can you find the word “couture” in her name?) that formed Ericka’s persona of today: a New York City queen who dresses in outfits of her own styling; design that reaches for the sui generis in women’s fashion.

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Photos: Joseph Alexiou

Last Saturday we checked in at the opening of opening of a gallery showcase for the works of painter Olan Montgomery—a prolific gay artist who creates paintings from photos of celebrities. The trick is, as far as Montgomery is concerned, that all of his subjects are celebrities, from big name-artists like Boy George and Alan Cumming to colorful New York personalities like Amanda LePore, Michael Musto, Jonny McGovern and Kevin Aviance. As artist Jason LeBlond puts it, Olan “glamorizes the ordinary.”

The petite fête was celebrating the upcoming release of Montgomery’s book of his collected works, POP: Art inspired by New York’s Own Subcultures from Celebrity to Subway.

Another creative soul greeting guests was legendary door queen and club kid Kenny Kenny. He has watched Montgomery grow into a big deal—the artist’s portraits first debuted at this genderfuck fasionista’s party at Plaid—the defunct East Village hotspot—in 2002.

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“The paintings of people were hanging from the ceiling,” Kenny explained, “and everyone was so excited. There were pictures of Pat Field, Amanda LePore, Sofia Lamar, and so on. They were excited to see themselves represented in art.”

Being acknowledged as part of a scene brought a sense of togetherness to these people, said Kenny. “He’s an artist documenting a period and time of New York and the nightlife scene.”

MORE PICS BELOW THE FOLD.

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Photos: Joseph Alexiou

DRIPPING OUT // You can always count on the weekly pool party Dr!p, hosted by party impresario Lee Chappell and S(he)quida, to be a depraved (i.e. wonderful) skin parade of bulgy Speedos.

But two weeks ago the humid, chlorinated air was especially charged, thanks to a poolside performance by up-and-coming drag sensation Erickatoure Aviance. Her crowd-pleasing vinyl pussy-suit and endless leg-splits only added to ferocity of other visual candy: genderfuck host Celso and the delectable yet fear-inducing Matthew Camp (fantastically made up as a sexy leather demon, he can drag me into Hades anytime).

MORE PHOTOS BELOW FOLD.