Light in Darkness | Bill Henson

Some artists court controversy intentionally; for others it pursues them as an unintended nuisance in their quest to explore an artistic vision.  For Australian photographer Bill Henson, it’s likely that the resistance he’s encountered falls into the latter category.  Like a number of noteworthy artists (and in keeping with our recent mini-theme), Henson finds inspiration in the beauty of adolescence.  Earlier this year his gallery show in Sydney led to government seizure of several of his works following accusations of pornography and child exploitation.  Opinions on the legality or morality of his work may vary, but one thing is certain: Henson’s work is remarkable for his unique, defining style as much as, or more so, than for his choice of subject matter.  His strong use of muted color and darkly melancholic styling capture the texture and mood of a moonlit night or magical twilight, with soft cool light and beautifully mottled skin tones.  The current exhibition at the Robert Miller Gallery has omitted the more controversial works but still provides a rather comprehensive window into his vision.  

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I absolutely adored the show. I think it was my favorite of the night. Much better than that meat baby.

Reminds me a bit of Caravaggio, the Derek Jarman film not so much his actual paintings. It’s got that chiaroscuro effect but not so religiously didactic, kind of like Ryan McGinley when his images get nebulous and cloudy or like this Chris Cunningham video for Portishead.